Sunday, 18 January 2015

Vanessa - Ghosts of Mississippi


I just came across this article from a 2014 best-of list from The Saturday Paper. Scanning the list of stories mostly reminded me that the publication has been a bit of a disappointment over the course of the year. But one story jumped out at me from the Travel section that I hadn't noticed when it was first published, and I thoroughly enjoyed it. 

Singer/songwriter Darren Hanlon visits a tiny town in Mississippi he knows only from a favourite 1950s Elia Kazan film. I won't say any more, you guys might have read the story already, and if you haven't it's best to just read it. It's nicely written, using just enough words to paint a distinct, atmospheric picture. Like Sean's earlier post about The Multiple Meanings of a Philip Guston Drawing, it's another great example of going down the rabbit hole of a personal obsession.

Ghosts of Mississippi by Darren Hanlon








Thursday, 15 January 2015

Sonya - This Is Radio



Check out  these beautifully shot video profiles of prominent public radio presenters and producers from the US and Canada.

Made by Andrew Norton, a producer working with Transom, This Is Radio is a video series that takes us behind the mic and speaks to radio makers about the stories they love, how they work and best of all - takes us into their cities and working spaces.

Of course I went straight to The Kitchen Sisters video and then Radio Diaries creator Joe Richman and while I recognise most of the names, the series has also been a fun way to discover new programs I might like.

One interesting thing about the series is that it maintains the Transom ethos of sharing knowledge. Beneath each video you'll see that the producer's published notes on the challenges he faced when shooting each of the profiles. He shoots Roman Mars from 99% Invisible early on and writes about how he decided to try to avoid Pro Tools shots at all costs in the stories that followed.

Once you start watching them, you'll find even more gems, like these posts by The Kitchen Sisters on collecting visuals and using music.

And somewhat related, if you haven't already, I'd highly recommend checking out Jonathan Goldstein's Radio Yak episode of RadioTonic. So many creative radio ideas awesomely realised in his selections.

Wednesday, 7 January 2015

Sonya - The Kingdom of Dreams and Madness


Last night I watched The Kingdom of Dreams and Madness, a truly delightful documentary about the Japanese animation house Studio Ghibli. It's principally about famed director Hayao Miyazaki, who at 72 is directing his final animated feature.

I am a very big fan of his work and was introduced by the film My Neighbour Totoro and have since started to collect and watch every one of his animations. I watch other Studio Ghibli cartoons as well, but the ones he writes and directs are by far my favourite. There is something very human, whimsical and childlike about the films but you also get a sense that he's somewhat of an environmentalist - with films like Nausicaa of the Valley of the Wind focusing on our significant and adverse impact on the natural world. And a fun fact - the heroine in most of the films is a little girl or young woman. 



A still from My Neighbour Totoro (1988)





Ponyo is the studio's adaptation of The Little Mermaid released in 2008.

The doco is so rewarding for Ghibli fans, from the gentle music of the opening sequence that makes you feel like you're watching another animation to the fun little facts about film's Miyazaki's worked on, like why the sidekick cat in the witch movie Kiki's Delivery Service stops talking at one point, and never regains his ability to communicate with humans.

I have a feeling it'll still be enjoyable for those who aren't super fans, it's a lovely documentation of the unusual way in which Miyazaki writes films and works with his small team and the daily rituals that have come to inform what he cares and writes about. The documentary follows the production of his final film The Wind Rises which is being produced in parallel to another Studio Ghibli film, being made by the man who discovered Miyazaki and mentored him, although the pair later become rivals. The studio schedules their final films to be released on the same day as a nod to this but it's really a film about Miyazaki and life in Japan.

I haven't watched The Wind Rises just yet (am racing out to buy the DVD today, Studio Ghibli films are so hard to rent on iTunes or at video stores) but think it'll be great companion viewing to this doco. The Wind Rises is about a boy who grows up fascinated by planes who goes on to engineer war planes. It' said to be loosely based on Miyazaki's father who manufactured parts for war planes during the Second World War, and an exploration of whether someone who doesn't believe in war can still contribute to it through their talents.

Saturday, 27 December 2014

Sonya - My favourite five books of 2014


The highlight of my reading year came in August-September, when two of my favourite authors released much anticipated new books. And now I'm back in Wagga Wagga, post-wedding and Sydney stint, I'm looking forward to doing even more reading.

Here's my list of favourite books in no particular order:

1. Eeeee Eee Eeee, Tao Lin

I must've read four to five Tao Lin books this year after reading Taipei last year. Tao Lin is an American novelist and sometimes poet and I love his super contemporary and minimal writing style. In most of his books the main character is a frustrated writer and New York hipster, who wanders around eating or stealing organic food, taking drugs and spending too much time online. The character is usually a depressive loner who forms temporary relationships with equally unusual characters, who end up taking somewhat aimless road trips with him.

Even though this kind of character sounds totally unappealing, I find Tao Lin's books addictive and an astute representation of modern life. Eeeee Eee Eeee is one of the most surreal of the ones I've read, with bears, hamsters and American celebrities being written into chapters amongst the every day human characters. My favourite chapter is just four and a half pages long, and details the year that dolphins were depressed, and how this came to manifest itself in their behaviour in playgrounds. It's both hilarious and strangely relatable in parts.

2.  Can't We Talk About Something More Pleasant? A memoir, Roz Chast

I'd been looking for this graphic novel for the longest time - it's only recently been available in Australia, and I gleefully found my copy in an amazing bookshop in New York, which contained so many art books that I had to leave Tony there for hours so he could properly explore.

Roz Chast is a staff cartoonist for The New Yorker and this book is the story of her ageing parents decline, from their last years of living independently in New York to their move into assisted living and ultimately palliative care. It chronicles her childhood as an only child, and her guilt as her parents age and need more of her assistance. It's a book about dying, and the complicated relationships we have with our parents.

3.  Colourless Tsukuru Tazaki and His Years of Pilgrimage, Haruki Murakami 

This book was released on my birthday this year, which was very exciting! His previous epic 1Q84 was so perfect to me (I thought it was the most fully realised Murakami book I'd read, and interestingly you can read the short story that it grew from here) that I knew his latest offering would most likely be good but not 1Q84 great.

This had all the hallmarks of a Murakami book - a lonely man who lives by a well-defined routine, a childhood mystery and rupture point that provides the conflict of the book, a mysterious woman as a love interest and motivator and a series of surreal occurrences through dreams, stories and overseas travel. I loved this book for its familiarity and the reliable way Murakami describes everyday life but didn't find this book as weird or as satisfying as others in the past. 

4.  This House of Grief: the story of a murder trial, Helen Garner

This has been such a horrible year for family violence, which made this a little more difficult to read than I had originally thought. The most similar book of hers I had read was Joe Cinque's Consolation: a true story of death, grief and the law, which was partly fascinating due to the totally bizarre nature of the crime. This in contrast was grim because it makes you think about the tiny percentage of parents who do harm or kill their children but I was so amazed by how at the end of the book, I came to see just how it could've happened. I also stopped caring about whether the father did it or not and thought it was incredible that you could come to think about the father and his life up until this point. 

This book reminded me of a Conversations episode I'd listened to last year about familicide and after I finished the book, I also listened to Helen Garner's interview with Richard Fidler where you hear just how broken she sounds when recounting this story and the making of the book. I think she copped a lot of flack for following a story like this but in this interview you hear how she took it on, and was incredibly troubled by what she witnessed and describes. And as an aside, I thought it was very clever to have the voice of her young niece or goddaughter throughout the book, as they sit in court together for much of the trial.

5.  Far From The Tree: parents, children and the search for identity, Andrew Solomon

This is totally cheating because I only picked up this book on Christmas Eve and am only a chapter in. Still, it's worth recommending because I can tell that it's going to be a fascinating and rewarding book. Earlier this year I listened to Andrew Solomon on Big Ideas and was really impressed by what he had to say about difference and disability and how we understand, tolerate and accept it in society - or worse, the ways in which we fail to.

His book came highly recommended by Natasha Mitchell, and also Annabel Crabb and Leigh Sales through their podcast. To look at, it's a huge book that looks like a parenting book, and not something I'd usually pick up. I also find that I'm much better at reading novels in my downtime, because anything else can strangely feel like work. The book is divided into 12 chapters, beginning with father and son but the ten chapters in between focus on a single way children can be different from their parents, whether it's a disability like deafness or by being extraordinary, such as the chapter on prodigies. While I've only read the first chapter, the book is said to be the result of 10 years of work and around 300 interviews with parents whose children are quite unlike them in some ways and how they come to cope. His interview on Conversations is also meant to be excellent and a good summary of the book.

Saturday, 13 December 2014

Sean - First Person Kodachrome


 Just when you think short docos like this aren't made anymore in Australia, along comes First Person Kodachrome. And presented on ABC Arts. I stumbled across this by accident when flicking through new iView content. Andrew G Taylor, the filmmaker, is someone whom I've known as an acquaintance over many years. A really nice guy, and makes an interesting film about once every decade! In this film Andrew begins with old family slides, and builds a film essay on the nature of photography from there, covering lots of ground succinctly. Perhaps his family slides, and his own slides, would have been sufficient content, without having to go into the work of other photographers, but never-the-less this is a really fascinating, creative, and well made film.

http://www.abc.net.au/arts/stories/s4133778.htm

Sunday, 7 December 2014

Sean - Philippe Mora home movies: the 1950s Melbourne art scene


Shades of Homemade History in these wonderful films recently published on the NFSA website.

"In 2002 artist and filmmaker Philippe Mora donated a collection of 8mm home movies to the NFSA. Made between 1954 and 1960, they feature rare footage of the Melbourne art scene of the 1950s. Philippe remembered the presence of a home movie camera in his childhood and appears in the films as a boy.

Philippe was brought up surrounded by art and artists. His father Georges Mora (now deceased) was an art dealer and founder of Tolarno Galleries in Melbourne. His mother is Mirka Mora, a celebrated artist and personality who is still exhibiting her work at the age of 86. Mirka and Georges emigrated from Paris to Melbourne in 1951

http://www.nfsa.gov.au/blog/2014/11/27/philippe-mora-1950s/

Sean - Visible Girls: London's lost female subcultures


Great portrait series from photographer Anita Corbin.

"In the early 1980s, photographer Anita Corbin documented the “informal uniforms” of young women’s subcultures across London. Corbin photographed rude girls, rockabillies, mods, skinheads, and some “less defined” female groups including soul, rasta, punk and futurist, as well as those involved “in and around the women’s liberation movement.”  Her photographs were exhibited in a traveling exhibition organized by the Cockpit Gallery Project called Visible Girls in 1981."

Quite a few of these subcultures filtered down to Sydney through the early 80s, especially the mod and rockabilly scenes. However, not so much the knitted ski jumper scene, unfortunately. As a young guy I found these scenes a little daunting. I wasn't going to sign up to any of them, and it was pretty confronting trying to ask out any girl that was embedded in a scene. My friend Catherine was in the rockabilly scene, and made a great Super 8 film about it. The girls seemed to mainly enjoy the dressing up, while the rockabilly guys really did appear to be throw-backs to the 1950s, in everything including attitude. Sydney's version of the Blitz scene (kind of New Romantic) coalesced around the Stranded nightclub, in the basement of the Strand arcade. This is the closest I got to being in a scene. My friend Nick and I were in a synth band and we played at Stranded, to a bemused crowd. I wore a dark turtle neck skivvy, Chinese "happy shoes", and a Scottish Tam o' Shanter. Best forgotten. However, I think it's time for the knitted ski jumper scene to make a come back.

http://dangerousminds.net/comments/visible_girls_londons_lost_female_subcultures