Saturday, 27 December 2014

Sonya - My favourite five books of 2014


The highlight of my reading year came in August-September, when two of my favourite authors released much anticipated new books. And now I'm back in Wagga Wagga, post-wedding and Sydney stint, I'm looking forward to doing even more reading.

Here's my list of favourite books in no particular order:

1. Eeeee Eee Eeee, Tao Lin

I must've read four to five Tao Lin books this year after reading Taipei last year. Tao Lin is an American novelist and sometimes poet and I love his super contemporary and minimal writing style. In most of his books the main character is a frustrated writer and New York hipster, who wanders around eating or stealing organic food, taking drugs and spending too much time online. The character is usually a depressive loner who forms temporary relationships with equally unusual characters, who end up taking somewhat aimless road trips with him.

Even though this kind of character sounds totally unappealing, I find Tao Lin's books addictive and an astute representation of modern life. Eeeee Eee Eeee is one of the most surreal of the ones I've read, with bears, hamsters and American celebrities being written into chapters amongst the every day human characters. My favourite chapter is just four and a half pages long, and details the year that dolphins were depressed, and how this came to manifest itself in their behaviour in playgrounds. It's both hilarious and strangely relatable in parts.

2.  Can't We Talk About Something More Pleasant? A memoir, Roz Chast

I'd been looking for this graphic novel for the longest time - it's only recently been available in Australia, and I gleefully found my copy in an amazing bookshop in New York, which contained so many art books that I had to leave Tony there for hours so he could properly explore.

Roz Chast is a staff cartoonist for The New Yorker and this book is the story of her ageing parents decline, from their last years of living independently in New York to their move into assisted living and ultimately palliative care. It chronicles her childhood as an only child, and her guilt as her parents age and need more of her assistance. It's a book about dying, and the complicated relationships we have with our parents.

3.  Colourless Tsukuru Tazaki and His Years of Pilgrimage, Haruki Murakami 

This book was released on my birthday this year, which was very exciting! His previous epic 1Q84 was so perfect to me (I thought it was the most fully realised Murakami book I'd read, and interestingly you can read the short story that it grew from here) that I knew his latest offering would most likely be good but not 1Q84 great.

This had all the hallmarks of a Murakami book - a lonely man who lives by a well-defined routine, a childhood mystery and rupture point that provides the conflict of the book, a mysterious woman as a love interest and motivator and a series of surreal occurrences through dreams, stories and overseas travel. I loved this book for its familiarity and the reliable way Murakami describes everyday life but didn't find this book as weird or as satisfying as others in the past. 

4.  This House of Grief: the story of a murder trial, Helen Garner

This has been such a horrible year for family violence, which made this a little more difficult to read than I had originally thought. The most similar book of hers I had read was Joe Cinque's Consolation: a true story of death, grief and the law, which was partly fascinating due to the totally bizarre nature of the crime. This in contrast was grim because it makes you think about the tiny percentage of parents who do harm or kill their children but I was so amazed by how at the end of the book, I came to see just how it could've happened. I also stopped caring about whether the father did it or not and thought it was incredible that you could come to think about the father and his life up until this point. 

This book reminded me of a Conversations episode I'd listened to last year about familicide and after I finished the book, I also listened to Helen Garner's interview with Richard Fidler where you hear just how broken she sounds when recounting this story and the making of the book. I think she copped a lot of flack for following a story like this but in this interview you hear how she took it on, and was incredibly troubled by what she witnessed and describes. And as an aside, I thought it was very clever to have the voice of her young niece or goddaughter throughout the book, as they sit in court together for much of the trial.

5.  Far From The Tree: parents, children and the search for identity, Andrew Solomon

This is totally cheating because I only picked up this book on Christmas Eve and am only a chapter in. Still, it's worth recommending because I can tell that it's going to be a fascinating and rewarding book. Earlier this year I listened to Andrew Solomon on Big Ideas and was really impressed by what he had to say about difference and disability and how we understand, tolerate and accept it in society - or worse, the ways in which we fail to.

His book came highly recommended by Natasha Mitchell, and also Annabel Crabb and Leigh Sales through their podcast. To look at, it's a huge book that looks like a parenting book, and not something I'd usually pick up. I also find that I'm much better at reading novels in my downtime, because anything else can strangely feel like work. The book is divided into 12 chapters, beginning with father and son but the ten chapters in between focus on a single way children can be different from their parents, whether it's a disability like deafness or by being extraordinary, such as the chapter on prodigies. While I've only read the first chapter, the book is said to be the result of 10 years of work and around 300 interviews with parents whose children are quite unlike them in some ways and how they come to cope. His interview on Conversations is also meant to be excellent and a good summary of the book.

Saturday, 13 December 2014

Sean - First Person Kodachrome


 Just when you think short docos like this aren't made anymore in Australia, along comes First Person Kodachrome. And presented on ABC Arts. I stumbled across this by accident when flicking through new iView content. Andrew G Taylor, the filmmaker, is someone whom I've known as an acquaintance over many years. A really nice guy, and makes an interesting film about once every decade! In this film Andrew begins with old family slides, and builds a film essay on the nature of photography from there, covering lots of ground succinctly. Perhaps his family slides, and his own slides, would have been sufficient content, without having to go into the work of other photographers, but never-the-less this is a really fascinating, creative, and well made film.

http://www.abc.net.au/arts/stories/s4133778.htm

Sunday, 7 December 2014

Sean - Philippe Mora home movies: the 1950s Melbourne art scene


Shades of Homemade History in these wonderful films recently published on the NFSA website.

"In 2002 artist and filmmaker Philippe Mora donated a collection of 8mm home movies to the NFSA. Made between 1954 and 1960, they feature rare footage of the Melbourne art scene of the 1950s. Philippe remembered the presence of a home movie camera in his childhood and appears in the films as a boy.

Philippe was brought up surrounded by art and artists. His father Georges Mora (now deceased) was an art dealer and founder of Tolarno Galleries in Melbourne. His mother is Mirka Mora, a celebrated artist and personality who is still exhibiting her work at the age of 86. Mirka and Georges emigrated from Paris to Melbourne in 1951

http://www.nfsa.gov.au/blog/2014/11/27/philippe-mora-1950s/

Sean - Visible Girls: London's lost female subcultures


Great portrait series from photographer Anita Corbin.

"In the early 1980s, photographer Anita Corbin documented the “informal uniforms” of young women’s subcultures across London. Corbin photographed rude girls, rockabillies, mods, skinheads, and some “less defined” female groups including soul, rasta, punk and futurist, as well as those involved “in and around the women’s liberation movement.”  Her photographs were exhibited in a traveling exhibition organized by the Cockpit Gallery Project called Visible Girls in 1981."

Quite a few of these subcultures filtered down to Sydney through the early 80s, especially the mod and rockabilly scenes. However, not so much the knitted ski jumper scene, unfortunately. As a young guy I found these scenes a little daunting. I wasn't going to sign up to any of them, and it was pretty confronting trying to ask out any girl that was embedded in a scene. My friend Catherine was in the rockabilly scene, and made a great Super 8 film about it. The girls seemed to mainly enjoy the dressing up, while the rockabilly guys really did appear to be throw-backs to the 1950s, in everything including attitude. Sydney's version of the Blitz scene (kind of New Romantic) coalesced around the Stranded nightclub, in the basement of the Strand arcade. This is the closest I got to being in a scene. My friend Nick and I were in a synth band and we played at Stranded, to a bemused crowd. I wore a dark turtle neck skivvy, Chinese "happy shoes", and a Scottish Tam o' Shanter. Best forgotten. However, I think it's time for the knitted ski jumper scene to make a come back.

http://dangerousminds.net/comments/visible_girls_londons_lost_female_subcultures

Sunday, 16 November 2014

Vanessa - Lullabies of the World




Many years ago, a friend gave me a CD called Berceuses du Monde Entier, a recording of traditional lullabies from around the world. It came back to mind when I was trying to find a present for a dear friend who was due to have her second baby. I quickly discovered that there are quite a few CDs with that name, and as I searched online for sample recordings from the different albums, I discovered a whole new world of animated lullabies. 

Many of the most beautiful animations looked like they were made by the same author, but, in typical YouTube fashion, had been uploaded by various people with no proper attribution. After a little further searching, I discovered they were part of a project called Lullabies of the World, made by Metronome Films in Russia. 

The project's website is a little out of date and doesn't have the animations, but does have a précis of what each animation is about (not always a direct illustration of the lyrics), an interesting insight into the animators' interpretation of each culture.

The South African lullaby, performed by Ladysmith Black Mambazo, is about flies that sing everyone to sleep.


The Japanese lullaby is about two constellations that meet once a year.


The French lullaby is about chickens who lay their eggs where the cook can't find them. The lyrics tell a slightly different story, with the chickens laying the eggs for the baby to eat. In the animation, the eggs hatch out of reach of the chubby chef and the baby plays with a growing brood of chicks.


A collection of the animations are available on the Metronome YouTube channel (strangely, not the same lullabies that are listed on their website). A wider selection, like the above links, are scattered across various YouTube accounts that don't seem to have any connection to the project. The resolution isn't fantastic but they come up ok on an iPad or smaller screen.

And lastly, while we're on the topic of lullabies, a few lullabies in Indigenous languages are popping up in our Mother Tongue project. This one by Brad Marsellos is utterly beautiful.

Monday, 3 November 2014

Sonya - Beijing Silvermine


Beijing Silvermine - Thomas Sauvin from Emiland Guillerme on Vimeo.

I've actually vaguely known about the Beijing Silvermine photo project for some time, just not in any detail. Earlier this year 4A centre for contemporary asian art hosted an exhibition of it, which I saw mainly through Instagram, and didn't quite get.

Their posts seemed to encourage people to take a selfie with a blown up image from the project, of a young woman in really colourful clothes, posing against the backdrop of a national park.


The same photo popped up again a few weeks ago, on The New Yorker Instagram feed. The project's creator Thomas Sauvin was an Instagram guest, and spent a week posting different images he had found. There were photos from a Beast series, featuring Chinese people posing with the craziest of animal sculptures, from giant octopuses to open-mouthed sharks. There was a series based on twin children, photographed throughout the country, a Sun and Moon series too.

 When I finally watched a short video about the project, it started to all make sense. Sauvin salvages old negatives that have been thrown away, and processes them, looking for photos of ordinary Chinese people since the advent of the Kodak camera.

What he finds and shares are wonderfully random moments, like someone stepping in front of the photographer's camera at an inopportune moment, and intimate moments too - like family snaps at home, on holidays, and on special occasions. And because it's film, there's a lovely scratchiness to the images that give them warmth, and really make them feel like an entirely different time.


Sauvin, as his name probably gives away, is a Frenchie, whose been living in China for the past ten years. I really love how the doco shows him working with local artists, assistants and photo technicians to help bring the photos back to life. I also think how he groups them is particularly special. Fascinatingly, over time he's discovered that many photos are taken in the exact same locations, often with the same pose from the subject, and very common composition. 

Monday, 6 October 2014

Vanessa - This Narrated Life



Ok, so we all love This American Life. So many riveting stories, lateral interpretations of a theme, and a ponderous contemplation of our shared humanity.

But I do worry about the influence of this all-consuming show on other radio makers, and storytellers generally. It started as a niggling feeling for me at Ira Glass' Reinventing Radio tour, then the niggles slowly started to build.

Last year at one of my friend Beth's Party For Your Thoughts get togethers, where guests share links to stories to talk about over dinner (like an in-the-flesh version of our blog, plus yummy food), my friend and fellow radio maker/lover Kate Montague's contribution to the evening
was the hour-long radio documentary Walking Across America: Advice for a Young Man, made by first time radio maker Andrew Forsthoetfel, with the help of Jay Allison from transom.org. The story was picked up by This American Life, and reedited into a shorter piece that played as part of the episode Hit the Road. 

Comparing the two (which I did obsessively, of course!!), I thought TAL missed the mark, badly. They'd somehow managed to cut out all the moments that had made me cry when I heard the original version (and even cry again on subsequent listenings). And the tweaking that they did to the structure kind of killed the spirit of the story for me, and for no perceptible good reason.

Here are the two versions if you're interested in comparing them:

So anyhow, Kate recently sent me this great article from Griffith Review, which eloquently lays out so many of the things that we're starting to bother me about TAL.


It would be really sad if the scope of how stories are told narrows as TAL's format is so ubiquitously imitated. Both in the sense of the stylistic approach, but also the perception of what kind of stories can be told. Ira really put me off at the Reinventing Radio talk when he said "not everyone has a story (for This American Life)", and it's true. TAL stories are always extraordinary, always have twists and turns, ironies and coincidences that most ordinary lives don't. Which makes me worry that TAL teaches listeners (and program makers) to always expect a twist or a punch line and equate that with a good story.

While I continue to love TAL, and love the way the show has inspired so many people, it's easy to forget that there are many, many different ways to tell a story. And I firmly believe everyone does have a story worth telling. 

Thanks to Kate Montague for sending me the Griffith Review article. And here's a link to Kate's radio documentaries on SoundCloud, including the yarn about the sassy whip cracker in Darwin that I sent you both a while back.

http://m.soundcloud.com/katemontague

Image from the radio documentary Walking Across America: Advice for a Young Man.

Vanessa - Structural Integrity



I've been meaning to pass on this link for ages, maybe you've already come across it.

I was excited to see 'our Joel Werner', most lovely fellow and erstwhile Off Track presenter, has landed on his feet in NYC.

This is a great yarn on the design podcast 99% Invisible about a daring piece of 1970s New York architecture that seems to defy gravity, and basic engineering principles.

http://99percentinvisible.org/episode/structural-integrity/



Joel also has his own podcast, I haven't had a chance to check it out yet but knowing Joel it'll be worth a listen.

https://itunes.apple.com/au/podcast/your-own-voice/id896191045?mt=2

Sunday, 28 September 2014

Sonya - Helen Garner on Conversations

Just in case you're reading This House of Grief' (I think we all are!), this episode of Conversations is an excellent companion podcast to the book.

Helen Garner - Conversations with Richard Fidler

The interview focuses on the content of the book, and I waited until after I'd finished to have a listen. Two things struck me, first just how much specific information about the trial I'd retained from reading the book but most significantly, how stricken Helen Garner sounds for the duration of the discussion.

You certainly get a sense of it reading the book, but it's another thing entirely to hear her describe what she witnessed, how she comprehended it and how it impacted her. She is also so careful when discussing particular details of the case, which reaffirmed the trust I have in her as a narrator.


Sunday, 21 September 2014

Sean - The Multiple Meanings of a Philip Guston Drawing


Quick read. This is the type of essay that succinctly pulls together a few strands in a fascinating narrative, and ends up being perfect. The strands are things that I'm particularly interested in at the moment. It's about collecting art, even when you can't really afford to. Perhaps especially when you can't afford to. Something I can relate to! It's about acquiring an art work because you really like it, and you don't care what anyone else thinks about it. It's about the artist Philip Guston, whose work I love. Guston's later large paintings on the surface could be considered quite ugly, but it's beautiful-ugly, something I admire in art. All of the experienced artists I've spoken with really love Guston, something about the way he uses paint. It's about the endless regret of reluctantly parting with something you love. (A lesson I've learned from selling off parts of my record collection in the past. I will never part with any of my art collection! Although I'll gladly part with any art that I create, because again a lesson I've been taught is to let your own work go). And finally the article is about delving, really quite deeply, into the meaning of a simple drawing. Via poetry. And the article contains a line that's quite similar to the type of advice that my current drawing teacher Pam gives: "this enigmatic drawing came from the simple acts of looking, seeing and remembering simple objects that were familiar to the artist."

http://www.huffingtonpost.com/john-seed/mazurki-the-multiple-mean_b_799875.html

Thursday, 18 September 2014

Sean - Brian Eno: Taking Manhattan (By Strategy)


Music nerd alert! I know I'm the music nerd amongst us, and occasionally I can't resist a music related post. Here's one that is about NYC while one of our Kites is still in the field in that city.

"From 1978 to 1984, Brian Eno lived and worked in NYC. As celebrated music journalist Simon Reynolds writes, the music he helped create there has influenced generations."

I loved reading this article, because it touches on almost everything in music that totally excited me as a young man. It just happens that musician/theorist Brian Eno was in NYC in the period covered, and Zelig like managed to be a part of many disparate cultural elements. While it's the music covered here that thrills me, I also thought the article throws a light on a past New York that you might find fascinating. No Wave music, the Mudd Club and CBGBs, Talking Heads, early video art, Eno's ambient music series, and Jon Hassell's Fourth World 1: Possible Musics LP, which to this day remains my absolute favourite record.

http://www.redbullmusicacademy.com/magazine/brian-eno-in-nyc-feature

Wednesday, 17 September 2014

Sean - Japanese youth in revolt



We seem to be on a city themed track at the moment, so here's my contribution. I love this series of photographs from Tokyo, 1964.

"In 1964, LIFE photographer Michael Rougier and correspondent Robert Morse spent time documenting one Japanese generation’s age of revolt, and came away with an astonishingly intimate, frequently unsettling portrait of teenagers hurtling willfully toward oblivion."

If I could select places from the past to visit, Tokyo early 1960s would be one of them! What city and era would you like to visit?

http://life.time.com/culture/japanese-youth-in-revolt-1964/#1

Monday, 15 September 2014

Take Picture - The New Yorker


It's a very different thing, reading The New Yorker whilst being in the city. So many sections that never quite clicked to me at the front of the magazine are now much more enjoyable.

You may have read about Konstantin Petrov this past week, as the anniversary of September 11 was marked. 

Petrov worked the night shift at the Windows of the World restaurant inside The World Trade Center as an electrician. He was also somewhat of an amateur photographer who snapped the empty interiors of the building where he worked. His photos were recently discovered by a filmmaker who is producing a documentary about the final hours of the towers.

This story is intriguing, light-hearted and, of course, tragic in parts, and it's actually even better online because you get to see some of the photos Petrov took as he worked. The photos are eerie and stunning and in the story you learn of Petrov's fate following 9/11.


Photo by Konstantin Petrov

Friday, 29 August 2014

Vanessa - Bob Mazzer: Underground


You know when you buy a present for a friend that you secretly want for yourself? Happens quite often, for me at least. After an hour or two randomly trawling online for present ideas recently, I came up with a true gem.

Have you heard of this guy? Bob Mazzer doesn't seem to be widely recognised, he had his first gallery exhibition only this year. But one of his photos inspired Mark Knopfler to write the Dire Straits song 'Walk of Life', and became the artwork for the single, so he must have had a following for a while.


Mazzer spent the 70s and 80s photographing commuters on the London tube, mostly at night, as he went to and from work as a projectionist in a porn cinema (an unnecessary detail in some ways, but every write up includes it, and I couldn't resist either). As Mazzer describes it, "Coming home late at night, it was like a party and I felt the tube was mine and I was there to take pictures."

I just received the book in the mail and it's a beautiful object. When I turned to the first page, I expected to see the usual third person praise by some gallery curator, art historian or fellow documenter of 70s/80s London. But I was pleased to find that all the text is by Mazzer himself, mostly small notes that reveal a little more about particular photos. His character comes through really nicely in his writing - my impression is of a curious, good humoured fellow who just loves people and images.


I particularly liked the note that went with the above photo:
"If you don't want to be photographed, you must put a bag on your head. If you see someone with a bag on their head, you have to photograph them. These women were part of the army of workers that clean the stations and tunnels when we have all gone home to bed. On no way did I intend to make them figures of fun, but it is funny."

The photos reveal what it is to be a true street photographer. Being there, a lot. Spending time in the realm of strangers, up close, ready to capture moments as they flit past. Being part of what you are photographing. So many serendipitous moments in these shots, that you only get by waiting and watching closely. Add to that a beautiful technique - Leica camera, film, and darkroom.

You can see a selection of Mazzer's photos at the link below (and a whole lot more if you do a Google image search):

This book could be a good companion piece to the book I gave Sean for his birthday this year, Londoners by Craig Taylor, an oral history of the city. Here is the radio talk that made me want to buy that book:

And then there's that Londoners podcast that you mentioned ages ago, Sean. I now can't find it, can you remind me of the link? That's why we need this blog rather than using work email to swap links!

Friday, 22 August 2014

Sean - Random intense conversations

Here are two conversations I happened to catch on RN this weeks as I was driving around doing workshops. I found both fascinating, not just for the content, but also for the manic character of those "in conversation". They are not so much conversations, as intense raves from two very different men.

Speaking with Richard Fidler, Michael Ware is a journalist who has specialised in reporting from Iraq. He gives a gripping account of what exactly is going on with the jihadist group, Islamic State. And he seems kind of shrill and on edge throughout. Fair enough given the terrifying content, and the fact he was kidnapped by jihadists in 2004.

http://www.abc.net.au/local/stories/2014/08/21/4071673.htm?site=conversations

Meanwhile, here's theatre critic Alison Croggon at NEON in Melbourne, "talking" with Barrie Kosky. Well, Barry is just raving free-form style, and Alison can't get a word in edgeways. But it's pretty entertaining.

http://www.abc.net.au/radionational/programs/booksandartsdaily/neon3a-aussie-theatre-director-barrie-kosky-in-conversation/5684710




Wednesday, 20 August 2014

Sean - "O, Excellent Air Bag"

Here's a quick and very odd read, from the Public Domain Review

http://publicdomainreview.org/2014/08/06/o-excellent-air-bag-humphry-davy-and-nitrous-oxide/

Sonya - Into the darkness by Helen Garner



Helen Garner has published a new book, and an excerpt featured in a recent edition of The Weekend Australian magazine.

The subject matter is chilling - she follows the trial of a father who drove his sons into a dam on Father's Day in 2005, killing them. There are multiple trials, appeals and Garner spent 8 years following their developments.

In many ways this excerpt reminded me very much of her book, Joe Cinque's Consolation that followed another eerie crime, in which a university student is accused of injecting a lethal dose of heroin into her boyfriend as he slept.

I trust her as a narrator and observer, having read The First Stone and Joe Cinque's Consolation and being a keen admirer of her writing. She lets you know when she's confused and mad about what she is witnessing both in and outside court, and includes what she's doing in between the court dates, sketches of places, as well as insights into her personal life.

Despite this, I still felt uncomfortable reading parts of this excerpt when I could feel myself really feeling for the father, despite his terrible actions as she sketches out the breakdown of his marriage some 10 months prior. It could be what makes her books so captivating to me, you get confused along with her, you have strong opinions about the crime and the accused and try to wrestle with an idea of justice, and how muddied it can be when it's dealing with human lives and relationships.

There's a six photo slideshow that sits above the excerpt that I found so sad but couldn't help feeling that it really added something extra to the text story.

Why did Robert Farquharson take an evil turn on that country road? By Helen Garner

Sonya - Tiny studio, formerly a double garage

I am slightly obsessed with tiny homes and recently came across this one, which is actually a cleverly converted garage in Melbourne.

It is beautifully fitted out, and inspired by the handmade houses movement of the 1970s, as well as Swedish and Japanese design. It reminded me of your place Vanessa!

Take a look: The Design Files: The Melbourne home of Alex Kennedy

Monday, 18 August 2014

Sean - Some RN programs


Is it cheating to link to programs that are RN, rather than digging deeper? Truth is, I pay regular attention to RN, and find myself enjoying a lot of what I hear. I'm really enjoying Soundproof, on Sunday nights. Field recording, and vinyl records, seem to be two recurring themes on that program! Just discovered in the Soundproof podcasts that a few weeks back one of my favourite local improvising musicians, Jim Denley, produced a full episode, Last Day at Turkey Creek. Jim has been traveling to Turkey Creek to run music workshops for the local Indigenous kids. Jim's main instrument is the saxophone, but he uses the sax unconventionally as a sound producing device. In his music, Jim also engages frequently with the landscape. His CDs have often been distilled documents of weeks walking, camping, and playing in the bush. Turkey creek of course provides a great environment for Jim. What I particularly like about this program is that Jim really holds on his various field recordings from Turkey Creek and surrounding country for a long time, often running at several minutes. You have to listen with focus and patience, preferably on headphones. I felt really immersed in the places, and a subtle narrative emerges as well. At the Turkey Creek shop, in the classroom, the cabin, surrounding hills, and finally at a special waterhole. Where a sudden storm hits. Here there's an unusual twist to Jim's narrative. I won't give it away, but I know exactly what he's talking about having myself entered special places with equipment in hand. And had weird stuff happen!

http://www.abc.net.au/radionational/programs/soundproof/last-day-at-turkey-creek/5560634

And on Background Briefing yesterday, this program about Gaza, The shadow of the Israel-Gaza war.

As the conflict between Israel and Hamas raged, Hagar Cohen visited two neighbouring villages in the West Bank, one Israeli and one Palestinian. She found a level of hostility that does not bode well for future peace efforts.

The program doesn't provide answers, except that perhaps there are no simple answers in this conflict. The conflict is seemingly based on a pretext from ancient times. In the minds of many, it stretches back thousands of years, and may take as long again to play out. It's particularly chilling that the people Hagar speaks with on both sides are just regular people - mums, dads, farmers - except that they'd all like to kill each other. Reconciliation doesn't seem to be an option.

http://www.abc.net.au/radionational/programs/backgroundbriefing/2014-08-17/5343476



Thursday, 14 August 2014

Sonya - Here's The Thing with Alec Baldwin

Technically, this is Tony's discovery from last week. It's an interview show, hosted by Alec Baldwin that promises to explore 'the lives of artists, policy makers and performers.'

I was apprehensive at first, only knowing Alec Baldwin from his schmoozy TV and movie roles but I listened to a few episodes with Tony on the drive to Sydney and I really enjoyed them. In lots of ways, what ties these interviews together is that they're all about success, and what it means to work and get a break. For this reason, I'd probably cherry pick people that I'm interested in to listen to.

The Erica Jong and Molly Jong-Fast episode is my favourite so far. The pair are a mother and daughter, who spend much of the episode interrupting and undermining each other but it's funny rather than painful.

Here's a preview:

'Both mother and daughter are writers. Erica is best known for her 1973 book Fear of Flying, a feminist classic about liberation, in many forms.

Molly, a mother of three kids herself, published her second novel, The Social Climber's Handbook, earlier this year.

Alec talks to Erica and her daughter Molly about sex, divorce and the impact on sexuality on young women today.'

I also enjoyed his interview with David Simon, the creator and writer of The Wire and Treme.

Next up, I'm planning to listen to his interview with Jill Abramson, who was unceremoniously dismissed as the executive editor of the New York Times in 2013. She had been the first woman to act in the role and it's thought that this interview may have had something to do with her dismissal.

Tuesday, 12 August 2014

Sean - The Woodmans


This is one of the most intriguing documentaries I've seen in a long time. It was on the ABC a few months ago, and it's stayed with me ever since. I had never heard of the photographer Francesca Woodman before I watched this - when it came on I was only half paying attention, but as it unfolded it had me enthralled. Not so much in the filmmaking itself, which is fairly straightforward, but the story of Francesca and her eccentric family, and her amazing photographs. I've since bought one of her photography books, and it really is incredible work. She uses a lot of elements that could risk being obvious - empty rooms, deserted spaces, the naked body, costumes, props - but she uses those elements in such an idiosyncratic and creative way that the photos are truly the work of an artist with a singular vision. As is often the way with original artists, she didn't receive the recognition she craved at the time (early 1980s), and she committed suicide when only 22.

"A fascinating, unflinching portrait of the late photographer Francesca Woodman, told through the young artist's work (including experimental videos and journal entries) and remarkably candid interviews with her artist parents Betty and George (a ceramic sculptor and painter/photographer), who have continued their own artistic practices while watching Francesca's professional reputation eclipse their own."

The film is available for download, or streaming

http://alivemindcinema.com/req.php?req=static.php&page=TheWoodmans

Sunday, 3 August 2014

Vanessa - The New Yorker Tables for Two column (especially for Sonya)



I came upon the Tables for Two column after reading this article in the Saturday Paper about Amelia Lester, an Australian expat who works at The New Yorker. I'd heard her interviewed on The Media Report a while back, a young woman living the ultimate fantasy of so many young writers and journalists. Amelia now writes for the longstanding Tables for Two column, which seems to be a bit of an institution.

This isn't my usual territory at all. I used to love reading restaurant reviews, even though I very rarely eat out, but I kind of lost interest over the years. Now I spend more time reading cooking blogs, even though I rarely follow recipes. So I only really went down this rabbit hole for Sonya's sake, but I was happily transported for an hour or two on a chilly Sunday afternoon.

Amelia Lester describes the column like this: "Tables for Two is a sketch of a place, a time, a neighbourhood. Food happens to be involved, but that's because food means more to residents of this city than just about any other...restaurants have become our personal space, the extra room that New Yorkers often dream of having. They're where love affairs, breakups, and family fights take place, and we have all entered into a contract of pretending not to hear the conversation at the adjacent table when they happen."

As suggested by the quote above, the reviews cover the nuts and bolts - what the place looks like, what the food tastes like, who goes there - but they also deftly tell a story in very few words. A description of a couple of dishes, a couple of anecdotes about the clientele, and you have a fully-formed picture of the place in your mind. It feels like a great hybrid of food and travel writing in consummate New Yorker style, and my stomach was rumbling as I read it.

And for our very own girl-about-town who's about to embark on a NYC adventure, there is an interactive map of all the eateries that have been featured in the column. Even though I'm not planning to travel to New York any time soon (and I never have money to spend in restaurants when I travel anyway), I'm finding the map quite addictive. The concentration of eateries in such a small space is mind boggling.

http://projects.newyorker.com/story/tables-for-two/

And while we're on the topic of dream job, I also happened upon this wonderful job application to the New Yorker written by a young and very sassy Eudora Welty, featured In Letters of Note. Welty never did get the job (or even a reply to her letter), but did go on to become a Pulitzer Prize winning novelist.

http://www.brainpickings.org/index.php/2014/05/12/eudora-welty-new-yorker-application-letter/

Thursday, 24 July 2014

Vanessa - Poetica: Tides



Being a sailor teaches you to be aware of the tide.

When navigating, you plan your course to make the most of favourable currents, or to avoid adverse currents that will slow you down, push you off course, or create steep waves when they run counter to the wind. Off the NSW coast, the East Australian Current runs north to south, so when we're sailing south, we head offshore to join it, adding a couple of knots to our hull speed. On trips up north, we stay closer inshore to avoid it. Humpback whales do the same on their annual migration.

Up in Queensland, there are strong tidal movements between the mainland and the Great Barrier Reef, and we time our day sails to take advantage of a favourable tide, or sail at slack water (when the tide is turning and at its weakest) if the tide is adverse.

Usually a boat on a mooring or anchor will point into the wind, keeping the motion consistent and soothing, but when the wind and tide are flowing in different directions, the boat will roll, which can become quite maddening (esp when it wakes up the baby!). You'll see boats in a bay all turned in a muddle of different directions as the tide weaves its way around the shore.

As we came back to the mainland from 3 weeks in the Whitsunday and Lindeman Islands, the three things I was most looking forward to were doing laundry, fresh veges and catching up with the world via email, Radio National, and our blog, of course! This is the first program I heard when I flicked on the radio after dropping anchor at Airlie Beach on a Sunday afternoon.


I have to admit, I'm a bit of a philistine and tend not to tune in when Poetica is on the radio, but the theme was so perfect, and the first couple of poems lured me in, especially the voice of Ben Whishaw reading the first Pablo Neruda poem. I'm not very familiar with Poetica, but this episode is a little different to the programs I've heard before, and seems to borrow a little from the Night Air aesthetic (a show I still miss terribly), mixing poetry with soundscape, music and factual recordings about the tide from scientists, ecologists, and those directly affected by rising sea levels.

I've had to have a few goes at listening to it in full, partly because of the competing sounds of a chattering baby, but mostly because my poor old pop culture brain finds it a bit of a stretch to listen to one poem after another and concentrate on each one. I would have liked to hear more atmospheric sounds, music and factual elements woven in there, but I guess then it wouldn't be Poetica. Oscar Metcalfe reading his poetic narrative Watch the Dawn Tide would have been right at home in the mix too.

Poetica can't be as clever and playful with form and structure as a program like The Night Air was, but I enjoyed being introduced to poems (or reminded of familiar ones), all tied together by a beautiful theme.

Image by Max Homand/Getty, republished from the Radio National website.


Wednesday, 23 July 2014

Vanessa - Pop quiz: First encounters




Can you remember the first time you fell in love with a now-favourite podcast, writer, filmmaker, magazine?

Lots of times I can't pinpoint the first revelatory introduction, but some first encounters remain vivid.

I remember hearing the This American Life episode 81 Words on Radio National one weekend afternoon when I was painting the cabin of our old wooden boat. It was 2007, and I'd never heard of This American Life. The story was completely gripping and stylistically different from what I was used to hearing on the radio, and it remains one of my all time favourite TAL episodes.

81 Words traces the long campaign to remove homosexuality from the Diagnostic Manual of Mental Disorders. The producer is Alix Spiegel, and much of the story is told from the perspective of her grandfather, a psychiatrist who was directly involved in the unfolding events. Like all great TAL stories, it has some great twists and very strange scenarios (that I won't spoil for you now!), and the personal connection to the story makes it really special.

I highly recommend this story, and would love some links to your standout first encounters from the world of sound, web, magazines, video, anything!


And while we're still on the topic of This American Life, I came across the Longform podcast with TAL contributor Starlee Kine a little while back. I was a bit hesitant to listen to it as I find her voice and uncomfortable giggling so grating, but there's no doubt that she's made some standout TAL stories (like this one about a haunted hotel and the legendary Dr Phil where she seeks breakup advice from Phil Collins). In the interviews, she gives some great behind-the-scenes glimpses of how TAL works, including her own excruciating experience producing her first story. A good companion piece to Sonya's link to the This is How I Work interview with Ira Glass.


Image republished from the This American Life website.



Sonya - This is how I work interview with Ira Glass

 Photo by  Rachel Kramer Bussel (CC BY 2.0)

Even though there are Ira Glass interviews aplenty, I found this latest one particularly good. In it, he shares the kinds of software, hardware and apps he uses - including the app he used to play and mix audio live during his Australian tour a few years ago. I remember we were wondering about this set up years ago!

I particularly liked how he details his process for structuring an interview 'quickly'. I say this because the process seems slow, which is reassuring to me, because I do something similar but have been using VM's FCP marker trick for a few years now for video stories, using colour coded markers in lieu of asterisks. This helped me see how I can apply a similar method to audio editing, without a handy marker system in Audacity. There are process pictures for his structuring method - exciting!

Having read this, I also believe that I'm a 'noisy introvert' :)

'I'm Ira Glass, Host of This American Life and This is How I Work' - Lifehacker

Sean - Sound Thinking

Here's a link to a real world event, an upcoming exhibition. Unfortunately it's on the weekend before the one when we're all in town! But I thought I'd put it up anyhow as it looks really intriguing, and I know a couple of the artists. Gary Warner is an acquaintance from way back, I first met Gary in 1982 at a creative meeting in this huge warehouse space in Newtown called Alpha House. The meeting was to convene a Super 8 Film Group (!) in Sydney. Gary went on to become one of the leading figures in the Super 8 film scene, and he's been quietly creating subtle but fascinating art for decades.

"In the exhibition Sound Thinking, three artists invite visitors to participate in the making of soundscapes whilst moving through the project space."

http://articulate497.blogspot.com.au/p/coming-sd-thinking-curated-by.html



















Here's a link to Gary's Vimeo page, including short films of his little machines that draw, create sound, and perform other functions - check out Sunday Play, and Jitter -

https://vimeo.com/garywarner

And here's Gary's tiny cabin in the northern Sydney bush, that he designed himself, the Origma Hut -

http://architizer.com/projects/origma-hut/

Tuesday, 22 July 2014

Sean - 20 Questions

Sonya alerted us to this theatre event a few months ago - Wesley Enoch's project 20 Questions, at the Belvoir Street Theatre. Now Awaye on RN has broadcast the session with fantastic Indigenous actor/performer Trevor Jamieson. This really works. It should be made into a radio series.

http://www.abc.net.au/radionational/programs/awaye/20-questions/5597448

The series at Belvoir is running for a few more weeks on Monday nights, but when I checked out the website of course the tickets are outrageously expensive, like all Sydney theatre. Sonya said she was going to check out 20 Questions live at the theatre - did you end up going?


Friday, 18 July 2014

Sean - Lucia Joyce, Diving and Falling

Here's how the web works sometimes. In Sonya's post immediately below I clicked on the link to the Letters of Note blog. The post at the top currently details a letter from psychologist Carl Jung to writer James Joyce, regarding Jung's reaction to the book Ulysses. The post mentions that a couple of years after writing to Joyce, Jung actually treated Joyce's daughter Lucia. That fact reminded me of a radio doco I listened to while driving back from Fowlers Gap to Sydney. On the long flat road between Wilcannia and Cobar. The reception for Radio National actually disappeared before the program concluded. But what I heard was fascinating, it was about Lucia Joyce. I've been meaning to listen to it again, all the way through. Here's the link -

http://www.abc.net.au/radionational/programs/hindsight/diving-and-falling/5489126

"Imagine being the daughter of one of the world's most experimental and famous writers. Imagine you have inherited some of your father's creativity and are determined to find a way to express this in some way. This is story of Lucia Joyce, the troubled and talented daughter of James Joyce. A story set against the fascinating backdrop of Europe between the World Wars."









Thursday, 17 July 2014

Sonya - NY Times, A Father's Grief (Letter)

Today, a short but beautifully expressed letter to the editor, in which the letter writer reassures a grieving father that he is not 'foolish and pathetic' for opening and keeping his deceased son's mail and emails.

A Father's Grief - The Opinion Pages, Letter.

A well-worded message from a stranger.

Read the article this letter is in response to here, 'The Afterlife'. 

For Christmas last year, Vanessa gave me the excellent Letters of Note book, which is based on this wonderful blog. 'A Father's Grief' reminded me of a letter in the book that moved me most, 'Sorrow passes and we remain', which was written by Henry James to a friend who had recently lost a family member.

Sunday, 13 July 2014

Sonya - Fine art on the radio

And one more quick recommendation, I listened to 'Tacita Dean's Event for a Stage' on Soundproof the other weekend and thought it was brilliant - a piece of fine art on the radio, as it was intended. Seeing exhibitions and arts based events is something I really miss now that I live in Wagga and listening to this program made me feel like I was able to get pretty close to the real deal. The program is a radio adaptation of a theatre and film event that happened at Carriageworks during the Biennale.

Tacita Dean's Event for a Stage



I just missed her exhibition at ACCA in Melbourne last year but can highly recommend the space if you've never been. It's one of my favourite contemporary art spaces in Australia, I think it's more experimental than most, and shows an impressive range of international artists. It's a refreshing break from the blockbuster shows of the major galleries. It also has an excellent selection of catalogues and independent publication in it's mini shop (right by its very cute mini cafe).

Sonya - Story A (Story B) by Gideon Lewis-Kraus (a snail-mail special)



This article combines so many things I love - it's set in Japan, covers a bizarre event (a hole-digging competition between employees of different companies) and also finds space to explore the art of storytelling. I happened upon it at the back of a recent Harper's magazine, and it was very refreshing, having read through some heavy-going articles beforehand.

You can read the intro of 'Story A (Story B)' online, which is a bit of a tease - so if you like what you read, let me know and I'll photocopy and post you a copy. Here's a part that grabbed me up front:
'Many essays purport to be about one thing but reveal themselves to be about some other, profounder thing. Story A might be about the game of Monopoly but its real role is to give cover to Story B, which is about the decline of the American city. Generally speaking I am most interested in moments in which the gap between the two stories seem the widest, in which the manifest events are highly, perhaps irresponsibly, leveraged in the production of latent meaning. Competitive hole digging, as far as I could tell, promised both infinite frippery and infinite significance.'
The story goes on to detail a morning spent observing a series of male and female teams competing for 'The Golden Spade' in the annual hole digging competition. Many teams came in costume, dressed up as cows, milk cartons or in head-to-toe gold and strangely, the judging takes place in secret.  The largest hole doesn't necessarily mean a team will win, it's a mysterious combination of depth, width and the novelty of a hole's shape that make a winner.  And the competitors really get into it, travelling from across the country just to take part with their colleagues, even if the prize money is relatively small.

It's a really fun read but I also read it with particular interest because I am a sucker for quirky stories. Like the Wagga guy who tried to make the world's biggest pom pom. To me, his Story B was about finishing something, no matter what. But it was also achieving a goal, and realising that what you were striving for might not satisfy you or matter anymore. In a really tiny way, it was a story about growing up. Quite often I worry that other people might not see the Story B, and just think it's a really silly story.

And a side note - this story also features an unnamed Australian foreign correspondent from the ABC, in a not-so-flattering light. I suspected it was Mark Willacy (purely based on location, he's one of my favourite foreign correspondents*) and found proof here.

Let me know you fancy a copy of this story, I reckon it's a good 2000-3000 words long, and very enjoyable.

*The one time I completed some presenter training in Sydney, the editor working in the suite opposite the training space was busy editing a Mark Willacy story. It sounds silly but being across the hall, and learning how to best pronounce my name (I was getting the Gee bit wrong) while I could hear a Mark Willacy voiceover in the distance made me feel like I'd made it :)

Saturday, 12 July 2014

Sean - Bombay Jazz and the Yellow Cab Blues

Recently I've been listening to radio documentaries from the BBC World Service. I really like the approach of these docos - beyond straight journalism, but not too over produced. And with the producer often being an interesting presence in the piece, reporting from the field. Here are two that I've really enjoyed -


Bombay Jazz

Sarfraz Manzoor explores a fascinating period of music history in India when American violinist Leon Abbey brought his jazz band to Bombay in the 1930's, leaving behind an incredible legacy

http://www.bbc.co.uk/programmes/p02200hm













Yellow Cab Blues

Meet New York's rookie cabbies - fledgling taxi-drivers trying to earn a living in the most stressful city in the world. Most are immigrants, already grappling with the challenges of a new language and a new culture. Now they have to deal with long hours, short fares, and grumpy passengers in the back. Will they make it?

http://www.bbc.co.uk/programmes/p021y31z




Monday, 30 June 2014

Sean - An Oral History of Wildlife Sound Recording



Here's a project from the British Library that looks kind of interesting - I haven't had a chance to listen to any of the interviews yet, but will check them out. I'm fond of hobbyist field recordists capturing nature sounds with specialised sound gear. The interviewed recordists are a mix of hobbyists and professionals.

"Over the past few months we've been working on a very special project that sets out to record and document the fascinating experiences of British wildlife sound recordists, from the scientist to the hobbyist, and everyone in between."

Here's the link to the post from the British Library's Sound and Vision blog -
Sound and vision blog recent posts
Sound and vision blog recent posts
Over the past few months we've been working on a very special project that sets out to record and document the fascinating experiences of British wildlife sound recordists, from the scientist to the hobbyist, and everyone in between. Interviews with Wildlife Sound Recordists explores all aspects of wildlife sound recording, from childhood memories and early encounters with nature to changes in recording technology, recording expeditions and the role natural sounds have played in the lives of our interviewees. - See more at: http://britishlibrary.typepad.co.uk/sound-and-vision/2014/06/an-oral-history-of-wildlife-sound-recording.html#sthash.JNcOCc9S.dpuf

Over the past few months we've been working on a very special project that sets out to record and document the fascinating experiences of British wildlife sound recordists, from the scientist to the hobbyist, and everyone in between. Interviews with Wildlife Sound Recordists explores all aspects of wildlife sound recording, from childhood memories and early encounters with nature to changes in recording technology, recording expeditions and the role natural sounds have played in the lives of our interviewees. - See more at: http://britishlibrary.typepad.co.uk/sound-and-vision/2014/06/an-oral-history-of-wildlife-sound-recording.html#sthash.JNcOCc9S.dpuf
Over the past few months we've been working on a very special project that sets out to record and document the fascinating experiences of British wildlife sound recordists, from the scientist to the hobbyist, and everyone in between. Interviews with Wildlife Sound Recordists explores all aspects of wildlife sound recording, from childhood memories and early encounters with nature to changes in recording technology, recording expeditions and the role natural sounds have played in the lives of our interviewees. - See more at: http://britishlibrary.typepad.co.uk/sound-and-vision/2014/06/an-oral-history-of-wildlife-sound-recording.html#sthash.JNcOCc9S.dpuf
Over the past few months we've been working on a very special project that sets out to record and document the fascinating experiences of British wildlife sound recordists, from the scientist to the hobbyist, and everyone in between. Interviews with Wildlife Sound Recordists explores all aspects of wildlife sound recording, from childhood memories and early encounters with nature to changes in recording technology, recording expeditions and the role natural sounds have played in the lives of our interviewees. - See more at: http://britishlibrary.typepad.co.uk/sound-and-vision/2014/06/an-oral-history-of-wildlife-sound-recording.html#sthash.JNcOCc9S.dpuf
Over the past few months we've been working on a very special project that sets out to record and document the fascinating experiences of British wildlife sound recordists, from the scientist to the hobbyist, and everyone in between. Interviews with Wildlife Sound Recordists explores all aspects of wildlife sound recording, from childhood memories and early encounters with nature to changes in recording technology, recording expeditions and the role natural sounds have played in the lives of our interviewees. - See more at: http://britishlibrary.typepad.co.uk/sound-and-vision/2014/06/an-oral-history-of-wildlife-sound-recording.html#sthash.JNcOCc9S.dpuf
Over the past few months we've been working on a very special project that sets out to record and document the fascinating experiences of British wildlife sound recordists, from the scientist to the hobbyist, and everyone in between. Interviews with Wildlife Sound Recordists explores all aspects of wildlife sound recording, from childhood memories and early encounters with nature to changes in recording technology, recording expeditions and the role natural sounds have played in the lives of our interviewees. - See more at: http://britishlibrary.typepad.co.uk/sound-and-vision/2014/06/an-oral-history-of-wildlife-sound-recording.html#sthash.JNcOCc9S.dpuf
Over the past few months we've been working on a very special project that sets out to record and document the fascinating experiences of British wildlife sound recordists, from the scientist to the hobbyist, and everyone in between. Interviews with Wildlife Sound Recordists explores all aspects of wildlife sound recording, from childhood memories and early encounters with nature to changes in recording technology, recording expeditions and the role natural sounds have played in the lives of our interviewees. - See more at: http://britishlibrary.typepad.co.uk/sound-and-vision/2014/06/an-oral-history-of-wildlife-sound-recording.html#sthash.JNcOCc9S.dpuHere's the post on the project from the British Library's Sound and Vision blog -
Over the past few months we've been working on a very special project that sets out to record and document the fascinating experiences of British wildlife sound recordists, from the scientist to the hobbyist, and everyone in between. Interviews with Wildlife Sound Recordists explores all aspects of wildlife sound recording, from childhood memories and early encounters with nature to changes in recording technology, recording expeditions and the role natural sounds have played in the lives of our interviewees. - See more at: http://britishlibrary.typepad.co.uk/sound-and-vision/2014/06/an-oral-history-of-wildlife-sound-recording.html#sthash.JNcOCc9S.dpuf
Over the past few months we've been working on a very special project that sets out to record and document the fascinating experiences of British wildlife sound recordists, from the scientist to the hobbyist, and everyone in between. Interviews with Wildlife Sound Recordists explores all aspects of wildlife sound recording, from childhood memories and early encounters with nature to changes in recording technology, recording expeditions and the role natural sounds have played in the lives of our interviewees. - See more at: http://britishlibrary.typepad.co.uk/sound-and-vision/2014/06/an-oral-history-of-wildlife-sound-recording.html#sthash.JNcOCc9S.dpuf
Over the past few months we've been working on a very special project that sets out to record and document the fascinating experiences of British wildlife sound recordists, from the scientist to the hobbyist, and everyone in between. Interviews with Wildlife Sound Recordists explores all aspects of wildlife sound recording, from childhood memories and early encounters with nature to changes in recording technology, recording expeditions and the role natural sounds have played in the lives of our interviewees. - See more at: http://britishlibrary.typepad.co.uk/sound-and-vision/2014/06/an-oral-history-of-wildlife-sound-recording.html#sthash.JNcOCc9S.dpuf
Over the past few months we've been working on a very special project that sets out to record and document the fascinating experiences of British wildlife sound recordists, from the scientist to the hobbyist, and everyone in between. Interviews with Wildlife Sound Recordists explores all aspects of wildlife sound recording, from childhood memories and early encounters with nature to changes in recording technology, recording expeditions and the role natural sounds have played in the lives of our interviewees. - See more at: http://britishlibrary.typepad.co.uk/sound-and-vision/2014/06/an-oral-history-of-wildlife-sound-recording.html#sthash.JNcOCc9S.dpuf
Over the past few months we've been working on a very special project that sets out to record and document the fascinating experiences of British wildlife sound recordists, from the scientist to the hobbyist, and everyone in between. Interviews with Wildlife Sound Recordists explores all aspects of wildlife sound recording, from childhood memories and early encounters with nature to changes in recording technology, recording expeditions and the role natural sounds have played in the lives of our interviewees. - See more at: http://britishlibrary.typepad.co.uk/sound-and-vision/2014/06/an-oral-history-of-wildlife-sound-recording.html#sthash.JNcOCc9S.dpuf
http://britishlibrary.typepad.co.uk/sound-and-vision/2014/06/an-oral-history-of-wildlife-sound-recording.html

And here's a link to the interviews, housed on the British Library's Sounds archive site (which invites one to "Explore 50,000 selected recordings of music, spoken word, and human and natural environments.")

http://sounds.bl.uk/Environment/Interviews-with-wildlife-sound-recordists